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Jim Hodges - Untitled, 2011 at the Barbara Gladstone gallery, NYC
in order to create a smooth surface, body putty was first applied and then a mould was made from the stainless steel cast. the rock surface was then chiseled in order to create texture for the steel veneers to adhere to. the steel sheets were painted with a clear-coat and dye mixture, finally pinned to each massive rock. the result is a massive sculptural work that possesses a sense of fluidity while also remaining intrinsically fixed. each boulder mirroring a natural shape while also rejecting and concealing its form.